>>            

Read These First
One Hand Clapping
By Chris Ryall
RSS Channel
For anyone with an RSS Newsreader
The Old Site
From the Movie
Film Columns
Film Flam Flummox
By Michael Dequina
From Print to Screen
By Matthew Savelloni
The Good, The Bad & The Ugly
By Matt Singer
International Intrigue
By Alison Veneto
Lights! Cameras! Zombies
By John McLean
Nocturnal Admissions
By D.K. Holm
Strange Impersonation
By Kim Morgan
Trailer Park
By Christopher Stipp
Theater
From Screen to Stage
By Kevin Hylton
DVD
DVD Diatribe
By D.K. Holm
DVD Late Show
By Christopher Mills
Poop Shoot Entertainment
Game On!
By Ian Bonds
The Inner View
Celebrity Interviews
Kentucky Fried Rasslin'
By Scott Bowden
Mail Shoot
By Us and You!
Squib Central
By Joshua Jabcuga
Toy Box
By Michael Crawford
TV Pilot Review
By Chris Ryall
TV Recommendations
By Chris Ryall
Movie Poop Shoot Web Comics
Spook'd
By Stevenson and Damoose
Brat-Halla
By Stevenson and Damoose
Power Hour
By Odjick and Austin
Enchanted Mayhem
By DeBerry and Cunard
Femme Noir
By Mills and Staton
Captain Capitalism
By Brad Graeber
Comics
All Ages
By Tracy (& Shelby & Sarah) Edmunds
Comics 101
By Scott Tipton
Preachin' from the Longbox
By Britt Schramm
Should It Be a Movie
By Marc Mason
Music
Music for the Masses
By M.C. Bell
Books
Back to Movie Poop Shoot
Home - back to the Poop Shoot


Week of March 13, 2006

You can take "The Peacemaker," "Deep Impact," and "The Tuxedo." We'll take "Gladiator," "American Beauty" and anything else that didn't suck.

Emilio's 17

Yeah, like he needed all that overpriced crap anyway...

This lawsuit's going to make 'House Party' look like 'House Party Two!'

I told you... don't call me SENIOR!!

Maybe this is all a bad dream too?

Thanks Sharon, but I think I'll wait until this one comes out on DVD (so I can freeze frame of course)

There is absolutely, positively no nepotism in Hollywood. None.

You're good, baby, I'll give you that... but me? I'm magic.

This band will go down like a lead balloon

Well, Goodbye there Children...

They can't sell the Capitol Records building! What will be left to destroy in the next crappy 'end of the world' movie?

Same old Courtney - still sponging off Kurt

Panic on the streets of Austin

You're a fat, Botox faced, wig-wearing ninny! Oh yeah? Well your band has a dirty H addict as a lead singer!

Black Sabbath, Blondie, Miles Davis, The Sex Pistols, Lynyrd Skynyrd Enter Rock Hall



01 THE BREAK-UP $39.17
$12759/av

02 X-MEN: THE LAST STAND $34.02
$9159/av

03 OVER THE HEDGE $20.65
$5170/avg

04 THE DAVINCI CODE $18.61
$4953/avg

05 MISSION: IMPOSSIBLE III $4.68
$1756/avg

06 POSEIDON $3.49
$1283/avg

07 RV $3.20
$1469/avg

08 SEE NO EVIL $2.04
$1607/avg

09 AN INCONVENIENT TRUTH $1.36
$17615/avg

10 JUST MY LUCK $855K
$892/avg









E-MAIL THE AUTHOR | ARCHIVES

COMICS 101

By Scott Tipton

May 19, 2004

UNDER PRESSURE, PART II

With the return of superheroes to Marvel Comics’ publishing plate in 1961, Marvel Editor Stan Lee found himself with an unexpected success on his hands in the burgeoning hit series THE FANTASTIC FOUR. While the initial conceit had been to do a superhero book that wasn’t like superhero books, without costumes and secret identities, Lee soon found himself falling into old habits, and by the third issue had dressed his characters in matching costumes and given them a flying car to tool around in. Having already started to tread familiar ground, Lee delved full-force into nostalgia with issue #4, which would revive one of Marvel’s most popular characters from the Golden Age of Comics, Prince Namor, the Sub-Mariner.

As discussed last week, Namor made what looked to be his final appearance in 1955, with the cancellation of his solo comic series after plans for a SUB-MARINER television series fell through. Now that Lee was comfortable doing superheroes once more, and after the revival of the Human Torch had worked so well for FANTASTIC FOUR, Lee and artist Jack Kirby went right back to the oldies with “The Coming of the Sub-Mariner!” in the May 1962 issue.

After a big dust-up with the Thing, the Torch had quit the team, and was on the run from Reed, Sue and Ben, who were searching New York City to ask him to reconsider. Hiding out in a Bowery flophouse, Johnny finds an old SUB-MARINER comic from the ‘40s, which attracts the attention of a fellow vagrant. (It’s long been established in the Marvel Universe that superheroes, while real, also have comic books published which recount their exploits.) The bum tells Johnny that there’s a fellow there who’s supposed to be as strong as the legendary Sub-Mariner, and points out a bearded drifter slumped against a table.

After the amnesiac drifter wallops a roomful of attackers, the Torch’s curiosity is piqued, and he uses his flame powers to give the fellow a shave and a haircut, revealing the unmistakable trapezoid-shaped head of the Sub-Mariner.

Thinking that a quick dip in the ocean might restore Namor’s memories, the Torch impulsively grabs him up and tosses him into the drink, and sure enough, after splashing around for a minute, Namor’s identity is his own once more, and he takes off like a shot for his kingdom, only to discover radioactive ruins; Namor surmises that the surface-dwellers’ atomic tests had destroyed his kingdom, and his people were forced to flee, perhaps never to be found.

Namor returns to the waiting Torch, and gives him a piece of his mind:

While the Torch returns to the FF and warns them, Namor heads off to get a little muscle, namely Giganto, the largest living creature in the world. Looking like a whale with arms and legs, Giganto heads for New York and begins busting up the place, thanks to Namor’s hornblown instructions.

After the Fantastic Four’s initial attempts to stop it fail, the Thing comes up with an only slightly more radical plan: to march down the creature’s gullet with an atomic bomb strapped to his back, then set the timer and get out of Dodge.

Amazingly, this plan works, and Giganto is killed, thanks to a massive case of atomic indigestion.

Before Namor can summon more monsters, Sue Storm tries to invisibly intervene, but the Sub-Mariner is able to grab her, and we see once more what really is the Atlantean’s ultimate weakness: a pretty face.

Immediately smitten with Sue Storm, Namor offers to spare the human race if she’ll become his bride. Say what you will about Namor, but at least he’s not afraid of commitment. Sue’s grudging acceptance seems to offend the Sub-Mariner, and at that moment the rest of the FF attack, only to again be bested by Namor.

Finally, the Torch creates a huge vortex of heat over Namor and what’s left of Giganto, pulling them into the air and hurtling them deep into the ocean.

Lee knew immediately he had a good thing with Namor, as well as a rare commodity from a storytelling standpoint in a truly sympathetic antagonist, and also seemed to sense that the best way to utilize him was not to give him his own book and push him to the heavens (although with the insanely restrictive distribution deal Marvel had in those days, adding another book might not even have been an option, but that’s another story…). Instead, Namor was apparently given the position of “unofficial shit-stirrer of the Marvel Universe,” and Lee would move Namor from series to series in misguided altercations with various Marvel heroes. A good example of this can be found in “The Avengers Meet Sub-Mariner!” from THE AVENGERS #3 (January 1964).

Namor enters the story about halfway through the issue, as we see the Sub-Mariner monitoring from afar the increasingly hostile clashes between the Avengers and their recently resigned member the Hulk. Namor has designs upon recruiting the Hulk for his war on humanity, and meets up with the Green Goliath on a deserted island where the Hulk has fled for refuge. After a first conversation turns violent, Namor manages to best the Hulk by throwing him underwater and draining his strength with a whirlpool.

Impressed, the Hulk agrees to team up with Sub-Mariner and “bring humanity to its knees,” starting with the Avengers. Of course, both Namor and the Hulk have their own plans for the new alliance:

Sub-Mariner sends a radio message to the Avengers, challenging them to battle on the island of Gibraltar. Naturally, the Avengers accept, and soon arrive ready for combat. Namor has prepared well, though, and in an uncharacteristic move, pulls a gun on Iron Man, firing an “emery dust pellet,” stiffening the joints in Iron Man’s armor and rendering him immobile.

But Namor’s not done with the hardware; next he tries to fire off a modified air raid siren which he promises will “destroy any living being who comes too close.” What it will do to the two guys standing behind it seems just as worrisome to me, but before he can fire it he’s grabbed by Giant-Man, who then chucks Namor to Iron Man. However, Iron Man definitely takes the worst of the exchange, receiving a devastating blow to the chestplate, which at the time was the only thing keeping his damaged heart beating.

Namor tussles with Giant-Man and Thor for awhile longer, before realizing that the Hulk had abandoned him. (Actually, the Hulk had succumbed to the stress and reverted to Bruce Banner, who quickly high-tailed it away from the battle.) Namor is cornered by the Avengers, but a few drips of water from a cracked cave wall rejuvenates him enough to allow him to smash through the stone and escape, swearing never again to trust any human.

Namor made a brief but significant appearance in the following issue, just hours after his losing battle with the Avengers. Stumbling across an Eskimo settlement in the North Sea, Namor grows infuriated at the Eskimos’ worship of what looks to be a petrified corpse frozen in a block of ice.

Outraged, Namor picks up the ice block and hurls it far out to sea, before destroying the ice floe upon which the Eskimos had been holding their ceremony. As for the block of ice, it drifted into the warmer waters of the gulf stream, gradually melting and revealing its occupant, who is then fortuitously discovered by the Avengers on their way back from Gibraltar. That occupant?

None other than Captain America, frozen in suspended animation since 1945. Just as the Torch revived Namor, so did Namor revive Cap; a nice bit of narrative refrain on Stan and Jack’s part.

Another good example of Lee’s clever use of Namor can be found in DAREDEVIL #7 (April 1965), in “In Mortal Combat With … Sub-Mariner!”, by Lee and artist Wally Wood.

Here we see Namor, by now reunited with his people and reigning over them as king, struggling with how to regain the surface world for his people. Spurred into action by his scheming warlord Krang, Namor decides to head to the surface to present new demands to humanity.

Marching through midtown Manhattan, Namor resolves to engage a human attorney, so as to press the Atlanteans’ claims for territory legally, through the laws of man. All things considered, this is an unusually rational course of action for Namor, even if he does show little patience for certain human customs, like doors and elevators…

Through the kind of luck that only manifests itself in the Marvel Universe, the first lawyer’s office that Namor finds just happens to be the offices of Nelson and Murdock, workplace of Matt Murdock, a.k.a. Daredevil himself. Namor informs the startled lawyers that the citizens of Atlantis demand their rightful place on the surface (even though they can’t breathe the air, but who want to pick nits, right?), and that he intends to “sue the entire human race for depriving [them] of [their] birthright!” A born shyster at heart, Murdock’s law partner Foggy Nelson informs Namor that they’d love to take the case, but without any evidence or standing, they’d be laughed out of court. Namor then decides to force mankind to take him to court and listen, and embarks on a good old-fashioned rampage, tearing up New York once again (although this time seemingly without any casualties) in the hopes of forcing them to arrest him and give him his day in court.

Soon Daredevil arrives in the hopes of calming Namor down and convincing him to turn himself in, although perhaps kicking him in the ribs might not have been the best way to open the conversation.

This first encounter is brief, as Namor pulls Daredevil underwater and quickly knocks him out. Impressed with Daredevil’s bravery, Namor returns him to the surface, then surrenders to the military, so as to get the court appearance he was after all along.

Namor enlists Nelson and Murdock as his counsel and soon Namor’s trial is under way, with Murdock hoping to file a counter-charge against the whole human race. Before things can really get going, Namor’s betrothed, Lady Dorma, shows up with bad tidings: the warlord Krang has begun a rebellion in Namor’s absence, requiring Namor’s immediate return to retain his throne. Murdock manages to convince Namor to stay, to finish what he’d begun, but when Murdock tells his client that the trial won’t officially start for a week, Namor’s patience runs out, and he busts out of jail, intent on returning to Atlantis.

Hoping to keep Namor from being attacked by the military on his way home, and seeking to stop bloodshed on both sides, Murdock switches to Daredevil and convinces the military to let him try to talk Namor into returning peacefully. The following six pages are an exercise in ass-whooping, as the decidedly non-superhuman Daredevil desperately tries to slow down the massively more powerful Sub-Mariner, using everything from smokescreens to a wrecking ball to a steam shovel to massive voltages of electricity.

Along the way, DD takes quite a pounding, such as this moment where Sub-Mariner clocks him with a lamppost.

Yeow. He’s gonna feel that in the morning.

Ultimately, though, it’s all for naught, as the much stronger Sub-Mariner is out of Daredevil’s league, pure and simple. Still, DD never gives up, a trait that the honorable Namor duly notes:

For one final example of Lee’s use of Namor as the anti-hero, check out this appearance in INCREDIBLE HULK #118 (August 1969), in “A Clash of Titans!”, by Lee and iconic Hulk artist Herb Trimpe.

Here a foundering Bruce Banner is discovered floating in the ocean by Namor’s betrothed Lady Dorma, who takes it upon herself to take him to Atlantis and provide medical attention (thanks to an Atlantean drug that will allow him to breathe underwater for 24 hours), in the hopes of fostering goodwill between their warring races.

When Namor is alerted to Dorma’s actions by a scheming Atlantean babe looking to replace her in Namor’s affections, the hotheaded Sub-Mariner busts into Dorma’s chambers, making the just-awakening Bruce Banner very nervous and anxious, which as we all know is never a good idea.

The Hulk and Namor are soon busting it up, with Namor even trying the same whirlpool trick he used to defeat the Hulk way back in AVENGERS #3. This time, however, it’s less than successful.

When an attempt on Dorma’s life results in her nearly being killed, Namor realizes he’s at fault and promises to try and make peace with the Hulk. Too bad the Hulk’s not having any. Hulk and Sub-Mariner engage in a titanic clash felt for hundreds of miles, with Namor ultimately getting the better of his green-skinned opponent.

Sub-Mariner has had several attempts at solo series over the years since his Silver Age revival, usually with limited success. A 1968 series lasted a respectable 72 issues, and is probably best remembered for the introduction of Namor’s rather unfashionable body suit, complete with big ol’ disco-style underarm wings.

The work of writer Steve Gerber and artist Don Heck, SUB-MARINER #67 saw Namor gravely injured in a nerve gas explosion, resulting in his losing the ability to naturally breathe air. Reed Richards devised his new costume to allow him to breathe air again and remain active on the surface. Namor’s new look only lasted a short while, and he was soon back to the green scaly speedos he’s been wearing since the 1940s. (Curiously, this much derided costume recently received the action-figure treatment, when Toy Biz included it in their Marvel Legends line. Good figure, but still a bad costume.)

Namor had much of his 1970s exposure as a member of the Defenders, Marvel’s second-string “non-team” that united many of their misfit and less popular characters in a loose affiliation, usually facing mystic or otherdimensional foes.

A founding member of the team along with Doctor Strange, the Hulk and the Silver Surfer, Namor’s general disdain for humanity and usual inability to get along well with others worked out perfectly for the dysfunctional team, which often spent as much time squabbling among itself as it did doing any actual defending.

In the mid-1980s, Namor even joined the Avengers, the gold standard for superhero teams in the Marvel Universe, signing up in issue #262. Namor’s stint with the team was marked by much controversy, as he often was either being pilloried by the press and hauled into court for his various attacks on humanity, or else abandoning the team at the worst possible times to deal with Atlantean matters of state. It was during Namor’s Avengers tenure that another of his doomed romances went down in flames, this time with the alien aquatic being Marrina, best known from her membership in the Canadian superhero team Alpha Flight (Namor’s first wife, the aforementioned Lady Dorma, was murdered on their wedding day by Llyra, an Atlantean enemy of his). Namor and Marrina married, but Marrina’s alien body reacted, well, rather poorly to becoming pregnant, mutating into an enormous sea serpent that ravaged ships at sea and inflicted massive damage upon Atlantis.

Left with no other choice, Namor slew Marrina with the Black Knight’s Ebony Blade, after which she returned to her human form, and not long after, Namor left the team.

John Byrne gave Namor a fresh start in a new solo series in 1990 entitled NAMOR, THE SUB-MARINER, which, like much of Byrne’s 1990s work, deftly folds much of the character’s past into a new and intriguing direction, while somehow managing to change a few things that never needed to be changed.

In Byrne’s first issue, we see Namor once more in one of his rages, busting up a tribe of South Pacific natives worshipping a familiar effigy. It’s a clever echo of Namor’s attack on the Eskimos from AVENGERS #4.

Namor is found by marine biologist Caleb Alexander and his daughter Carrie, who hook Namor up to a device of Caleb’s design, which somehow recycles Namor’s blood. It turns out, according to Caleb, that the reason for Namor’s periodic rages was actually oxygen starvation stemming from his hybrid human/Atlantean physiology.

When he spends either too much time on the surface or beneath the waves, his system reacts adversely, setting off one of Namor’s trademark paths of destruction. This is a clever enough premise, but again, ultimately unnecessary, and I thought it took away a little of Namor’s unpredictable edge, making him a victim of biology instead of a genuinely flawed and confused character, which is, for me anyway, more interesting.

Byrne also displayed Namor’s traditional weakness, as he’s known Carrie Alexander for all of a day before he starts putting the moves on her. That pointy-eared smoothie…

The larger story arc in Byrne’s NAMOR run was that of environmentalism, as Namor creates a corporation called Oracle (the name of his father’s boat from his very first appearance in MARVEL COMICS #1, in a nice touch) and uses treasure from shipwrecks to fund it, with the overall goal of using the corporation to aid environmental and ecological causes. Byrne even hits us over the head with the point by having Namor himself crippled by pollution, when exposure to toxic waste costs Namor his ankle wings, and along with it his ability to fly. Byrne also brought in longtime supporting character Namorita, Namor’s cousin, but again managed to overcomplicate her story, revealing her to be a clone of her mother Namora, Namor’s sister. Ehh. Anyway, NAMOR ran for a little over five years before being cancelled again, and since then Namor has returned to his perennial guest-star status, with occasional appearances in DEFENDERS revivals and issues of THE AVENGERS.

Like many of his fellow Marvel characters, Namor had his own cartoon series as part of the 1966 MARVEL SUPER HEROES (barely) animated series from Grantray-Lawrence, complete with his own bad theme song. Sing it if you know it :

Stronger than a whale
He can swim anywhere
He can breathe under water
and go flying through the air
The Noble Sub Mariner
Prince of the deep
So, beware you deadly demons
Lord Namor of Atlantis,
is the Prince of the Deep.

Namor also appeared as a guest-star in various Marvel cartoon series over the years, such as the 1990s FANTASTIC FOUR syndicated series. My favorite animated Sub-Mariner appearance had to be his guest-shot in the 1981 SPIDER-MAN AND HIS AMAZING FRIENDS Saturday-morning series. In the episode “Seven Little Superheroes,” Namor is one of a handful of super-types kidnapped by some villain in an Agatha Christie-style “pick them off one by one” mystery. So follow me here: Namor knows the house they’re in is full of traps, right? So he opens a door and finds a nice indoor pool. “Ah, life-giving water!” he says as he dives right in. What’s the catch? “It’s not water! It’s – ALCOHOL!” Then he passes out. He couldn’t smell a pool full of alcohol? What a dope…

Yes, Scott Tipton knows there was recently a “li’l Namor” series published written by even-more-recently deposed Marvel president Bill Jemas. And anyone who read that book can tell you why I didn’t mention it. Pee-yew. If you have questions about the Sub-Mariner or comics in general, send them here.

E-MAIL THE AUTHOR | ARCHIVES

Mail this page to someone you know.
Recipient's Name:
Recipient's Email:
Sender's Name:
Sender's Email:











Addicted to Bad
by Patrick Keller

International Intrigue
by Alison Veneto

Nocturnal Admissions
by D.K. Holm

Strange Impersonation
by Kim Morgan

Trailer Park
by Christopher Stipp




New DVD Releases
for April 11, 2006

DVD Diatribe
by D.K. Holm

DVD Late Show
by Christopher Mills




Preachin' from the Longbox
by Britt Schramm

Should It Be a Movie?
by Marc Mason

New Comic Book Releases
for April 12, 2006, 2006




New CD Releases
for April 11, 2006

Music for the Masses
by M.C. Bell




TV Recommendations
Boob toob picks of the week by Chris Ryall

Kentucky Fried Rasslin'
by Scott Bowden

TV Pilot Review Archives
by Chris Ryall



                        © Copyright 2002-2006 Movie Poop Shoot