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Week of March 13, 2006

You can take "The Peacemaker," "Deep Impact," and "The Tuxedo." We'll take "Gladiator," "American Beauty" and anything else that didn't suck.

Emilio's 17

Yeah, like he needed all that overpriced crap anyway...

This lawsuit's going to make 'House Party' look like 'House Party Two!'

I told you... don't call me SENIOR!!

Maybe this is all a bad dream too?

Thanks Sharon, but I think I'll wait until this one comes out on DVD (so I can freeze frame of course)

There is absolutely, positively no nepotism in Hollywood. None.

You're good, baby, I'll give you that... but me? I'm magic.

This band will go down like a lead balloon

Well, Goodbye there Children...

They can't sell the Capitol Records building! What will be left to destroy in the next crappy 'end of the world' movie?

Same old Courtney - still sponging off Kurt

Panic on the streets of Austin

You're a fat, Botox faced, wig-wearing ninny! Oh yeah? Well your band has a dirty H addict as a lead singer!

Black Sabbath, Blondie, Miles Davis, The Sex Pistols, Lynyrd Skynyrd Enter Rock Hall



01 THE BREAK-UP $39.17
$12759/av

02 X-MEN: THE LAST STAND $34.02
$9159/av

03 OVER THE HEDGE $20.65
$5170/avg

04 THE DAVINCI CODE $18.61
$4953/avg

05 MISSION: IMPOSSIBLE III $4.68
$1756/avg

06 POSEIDON $3.49
$1283/avg

07 RV $3.20
$1469/avg

08 SEE NO EVIL $2.04
$1607/avg

09 AN INCONVENIENT TRUTH $1.36
$17615/avg

10 JUST MY LUCK $855K
$892/avg









 


 
Digital Choo-Choo

 

I'm kind of an undistilled-reality type guy, visually speaking, so don't expect me to cream over the latest animation technique.

I can take or leave Japanese anime (and Japanese anime snobs tick me off). I was never a fool for Disney-style paint-cell animation. I've always liked but never quite loved those bursting colors and needle-sharp detail in those PDI/Pixar-generated features (you know ...Shrek, Shark Tale, etc.) And while I admired those CG compositions in Final Fantasy, they never made me want to jump up and down.

But I sat up, took notice and felt I'd seen something really different and noteworthy after watching a few demo clips yesterday from the forthcoming Tom Hanks/Robert Zemeckis film The Polar Express (Warner Bros., 11.10).

Hanks, the film's star-producer, and Zemeckis, the director, walked on stage at the swanky Steve Ross theatre on the Warner Bros. lot around 12:15 pm. They took turns introducing the clips and then took everyone through a tutorial about how The Polar Express found its unique visual signature. Then they answered questions for 30 minutes or so. The presentation took about 65 minutes.

The big visual technology used to compose this super-expensive family flick (Variety says it cost $165 million) is a device called "performance capture," which is similar to "motion capture" technology except for its focus on facial expressions.

Hanks does a Peter Sellers in The Polar Express -- he performs five separate roles, including the lead part of an eight year-old boy. No, he's not doing another Big. He portrayed the kid during filming in every actorly way imaginable, but then it was all digitally transferred into this computerized digi-kid character.

The story is basically about the kid being woken up the night before Christmas by the Polar Express (a big 1940s-era train) pulling up in front of his house. He gets on and it takes him and a bunch of other kids to the North Pole and Santa's headquarters.

I don't know how the rest of it plays, but it's based on a popular 18-page book by Chris Van Allsburg that came out in '85.

* * *

To continue with the rest of the column, simply click over to the new site (www.hollywood-elsewhere.com). Oh, and while you're there? Please bookmark it.

I don't know why this simple strategy of forcing (is that too assertive a term?) regular Hollywood Elsewhere readers go to the new site didn't hit me earlier, but it didn't. In any event, an abbreviated Movie Poop Shoot version of the column will continue in this space for many weeks to come. Eventually, sooner or later, this policy will no longer be neccesary.



 

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Addicted to Bad
by Patrick Keller

International Intrigue
by Alison Veneto

Nocturnal Admissions
by D.K. Holm

Strange Impersonation
by Kim Morgan

Trailer Park
by Christopher Stipp




New DVD Releases
for April 11, 2006

DVD Diatribe
by D.K. Holm

DVD Late Show
by Christopher Mills




Preachin' from the Longbox
by Britt Schramm

Should It Be a Movie?
by Marc Mason

New Comic Book Releases
for April 12, 2006, 2006




New CD Releases
for April 11, 2006

Music for the Masses
by M.C. Bell




TV Recommendations
Boob toob picks of the week by Chris Ryall

Kentucky Fried Rasslin'
by Scott Bowden

TV Pilot Review Archives
by Chris Ryall



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